Christian Maté Grab – Canon R5 / R6 Cinematic LUTs

What’s inside in Christian Maté Grab – Canon R5 / R6 Cinematic LUTs?

8 Cinematic LUTs for C-Log (.cube files)
8 Finishing LUTs for rec.709 (.cube files)
10 Cinematic LUTs for C-Log3 (BT.709) made for monitoring and grading your footage that has been shot overexposed (+1 to +2 stops)
Compatible with Adobe Premiere, Final Cut X, DaVinci Resolve, Photoshop, and any other software that utilizes 3D LUTs

These LUTs will help you to get the most out of the 12-bit / 10-bit Video (but also work with compressed codecs) and convert your footage into cinematic and eye-pleasing visuals. No matter if you are using C-Log (Canon Log), C-Log3, Cinestyle or a custom profile like James Millers Neutral – The 3D LUTs in this Pack work perfectly with several Picture Profiles and settings. Make sure to overexpose 1 Stop if you are shooting in C-Log and at least +1 / +2 stops on C-Log3 to get the most out of your footage!

Currently the Clog3 LUTs are only for the BT.709 Color Space and not for Cinema Gamut (because I use these to monitor my footage on the Atomos Ninja V+ – And there is no way to record Cinema Gamut correctly on the Ninja V / V+ because the Color Space is too big to get sent through the HDMI 2.0 port of the Atomos.

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