In Directing Color, filmmaker, editor and colorist Ollie Kenchington explores how visual language cues, color theory and even color grading techniques can be used throughout the filmmaking process to not just create a “look” but to enhance storytelling. He challenges directors, cinematographers and filmmakers to think of color first rather than the more common approach of leaving color considerations until post-production.
Modules
- Creating a Palette
- Perceiving Color
- Calibrating Color
- Color Management
- Deconstructing Color I
- Deconstructing Color II
- Deconstructing Color III
- Bonus Module – “Ox & Origin”
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