Gerald Undone – S-Log3 LUT Pack Updated

This pack contains technical LUTs for transforming Sony S-Log3 / S-Gamut3.Cine footage to Rec. 709 with enhanced color accuracy.

What’s Included:

In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors. There’s also a folder called General Purpose, which works well on cameras I haven’t yet customized. But because each sensor does have minor color variations, I’ll continue to create camera-specific LUTs and will send those out to customers of this pack as a free upgrade when they’re complete. In the meantime, for any other Sony camera, simply use the General Purpose S-Log3 LUTs, which will still provide accurate, neutral color.

Contains:

• General Purpose
• a1
• a1 II
• a9 III
• a7 IV
• a7 V
• a7C II
• a7R V
• a7R VI
• a7C R
• a7S III
• a6700
• FX2
• FX3
• FX5
• FX6
• FX30
• ZV-E1
• ZV-E10 II

File Names Explained:

– S-Log3 Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.– S-Log3 Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.– S-Log3 Undone LC 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post and add contrast to taste.– S-Log3 Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.

Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUTs are built on correct exposure principles from Sony’s whitepaper, which means 18% gray should be exposed to 41% in-camera, or a 10-bit code value of 420. This also matches the in-camera view assist and exposure tools so you can rely on them as well.