Gerald Undone – S-Log3 LUT Pack

Technical LUTs for transforming Sony S-Log3 / S-Gamut3.Cine footage to Rec. 709 with enhanced color accuracy.

What’s Included:

In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.There is also a folder named General Purpose, which doesn’t have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I’ll continue to add camera-specific LUTs to address them. In the meantime, for any other Sony camera, simply use the General Purpose S-Log3 LUTs, which will still provide accurate, neutral color.

Contains:

• General Purpose
• α1 II
• α7 IV
• α7C II
• α7R V
• α7C R
• α7S III
• α6700
• FX2
• FX3
• FX30
• ZV-E1
• ZV-E10 II

File Names Explained:

– S-Log3 Undone v2 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.– S-Log3 Undone v2 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.– S-Log3 Undone LC v2 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post and add contrast to taste.– S-Log3 Undone LC v2 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.

Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUTs are built on correct exposure principles from Sony’s whitepaper, which means 18% gray should be exposed to 41% in-camera, or a 10-bit code value of 420. This also matches the in-camera view assist and exposure tools so you can rely on them as well.