Tom Bolles – CinePrint35 Film Emulations

Features:

Tom Bolles CinePrint35 is a collection of PowerGrades for Davinci Resolve that allows filmmakers and colorists to accurately recreate 16mm and 35mm celluloid film looks. The PowerGrades were developed by Los Angeles based cinematographer Tom Bolles following an extensive camera test of various film stocks and digital cameras shot in January, 2023. The film was developed and scanned at Fotokem, the very same film lab that all major productions shooting on film in LA go to, ensuring the photochemical & scanning color science of the emulations is of the highest, industry standard quality.

CinePrint35 includes 16mm & 35mm presets of 3 different film stocks, while the node trees remain fully customizable to suit the needs of any project.

Compatibility

All components of the grade are 100% native to Davinci Resolve. No additional plug-ins or resources required. There is also a LUT version compatible with other editing software like Premiere & FCPX.

The PowerGrade is compatible with both the MacOS and Windows versions of Davinci Resolve.

Included are custom-tuned preset PowerGrades for the following cameras & log profiles:

• ARRI LogC3 cameras
• Apple Log (iPhone)
• Sony S-Log3 cameras
• Blackmagic Design Film Gen5 cameras
• RED IPP2 Log3G10 cameras
• RED IPP2 Log3G10 (Komodo tuned)
• Fuji F-Log2 cameras
• Canon Log 2 cameras
• Panasonic V-Log cameras

Also included are PowerGrades designed for:

• Rec.709, non-log footage
• Profiles not listed aboveare supported by the ‘CAMERA CST’ preset using Resolve’s Color Space Transform OFX.
  • Examples include: Canon Log 3 with Canon Cinema Gamut, Fuji F-Log with Rec.2020, Sony S-Log2 with Sony S-Gamut, and legacy Blackmagic color science

Features and FILM STOCKS

The grade implements visual features of celluloid film such as halation, rich and nuanced saturation, subtractive color mixing, highlight rolloff, gate weave, grain, and dust.

Every feature within the node tree is fully customizable.

The film stocks profiled were:

• Kodak Vision3 500T
• Kodak Vision3 250D
• Fuji Eterna Vivid 160T

The Fuji stock was discontinued over a decade ago, is hard to find well-preserved, and is impractical to shoot at scale today. The emulation helps keep the photochemical color science of this stock alive by making it accessible to a new generation of filmmakers.

What You Get

The digital download comes with 500T, 250D, and 160T film emulations for 11+ supported cameras & log profiles, plus On Set Monitoring LUTs, and an in-depth User Guide pdf.